A Reversible Jacket or Shortgown of Linen and Cotton
Jacket, bedgown, shortgown. There seems to be a lot of overlap in both definition and construction with these short, everyday pieces to cover the torso. In fact, the more I researched, the more confusing it got. Buckle up folks, because this is going to be a long one. Disclaimer: I am not a professional researcher! But I have been doing a lot of searching of museum databases, books, and asking questions of those who know more than me. I'm continuing to do a research deep dive, and will be sharing my findings in an upcoming post. For now, I want to be sure that I have something to wear to Williamsburg at the end of the month, so I need something. But what?
In a fit of impatience, I went ahead and made up view C from J.P. Ryan's jacket pattern, and I have to say, I'm pleased with the fit. I'm long-waisted, and this typically means adding between .75 and 1.25 inches to most patterns I make between underbust and waist. This is part of why my first shortgown was such a disaster--I foolishly thought that perhaps 18th century garments would be different. However, my wearable muslin of this pattern made up like it was made for me!
Muslin fitting |
I made it using a combination of the modern techniques given in the instructions and period hand-finishing, which makes it reversible. The lining is a red and cream woven check. While the weave is identical to some fabric samples of the era in pattern, I have yet to find a match in red--they all appear to be blue. If I can find a match, I want to have the option of wearing this side because I just really like it. That fabric was thrifted, but it still had the original remnant tag from Needle & Thread on it, so you know it's the good stuff. The outside proper is a chestnut colored linen. I truly can't remember if I got this from Needle & Thread or Jo-Ann fabrics.
UPDATE: In The Holker Album, examples of cotton-linen blend fabric of white and red plaid can be found. They are linen warp with a red cotton weft. Below are two of the examples as well as plaids very similar in design to that of the fabric in my jacket. With this knowledge, I will be wearing this jacket to its full reversible glory in the future!
Fabric samples from The Holker Album |
There is some gapping at the bustline, but it's due to the way I pinned the stomacher in. I plan to tack one side down so that I can avoid this issue in the future. |
With apron over. Also showing off my new market bonnet! |
I am opting to just wear the stomacher pinned in, rather than laced as I'm not finding as many image references for this style at that time as I would like. I'm still very new to this space and want to cross my "t"s and dot my "i"s as carefully as possible. I have seen a lot of images of women in short gowns or jackets with a handkerchief over the front of the garment (as in the image above), so this is how I plan to wear it for now. If, in the course of my research, I discover more examples of laced jackets and shortgowns for working class women in the 1770s, it's a simple task to add eyelets. If you have examples, please share them! I'm always eager to learn.
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